The Morning Guy by Mark W. Gray

The Morning Guy, (Gray, 2003) directed, produced and written by Mark W. Gray, is a oblivious film depicting the change taste end of a jointure in the matter of minutes. From a first outside contemplate of the couples home, nothing seems adrift. Their cookie-cuter bungalow, average automobile and proudly displayed American gladiola imply a smack of normalcy, though this first icon is quickly proven a misconception when the dreaded morning warning signal clock goes off. From there, the female face reveals an inability to cope with the chief(prenominal)tain characters unique behaviour. The man relentlessly acts as a morning radio broadcast, integrating it into his nonchalant routine. Throughout the short film, cozy-ups ar utilized not single to bring greater centre to the objects guinea pigd but for the overall centre of mental illness in daily life as well. This is done through a finis up of the alert clock, the toothbrush and the cup coffee.\nIn the sixth scene, a cant over shot captures a prototype frame of a matrimonial couple and an alarm clock in a close up. To begin, though seemingly mundane, these devil objects are essential to the plot and foreshadow the following narrative. The deliver frame introduces both main characters to the audience as a happily married couple. The television camera movement chosen to showcase this frame is a rock and roll, filming from top to bottom, therefore implying a joyful beginning and a slow descent into dysphoria. Furthermore, the tilt ending on the alarm clock is important to rase be feature it foreshadows that the clock, symbolic of the male characters behaviour, is the cause of their marriage ending. Secondly, the get downing Mise-en-scÃne brings the peachs attention to the alarm clock time. A glimmer of light hits the clock to showcase the ever-changing time, from 6:59 AM to 7:00 AM, and thus forcing the viewer to catch this key detail. Thirdly, in relation to the time changing, the close up of the clock allows for a s...